Day 7: Japan Album Release Tour JINSEI 2024 – First Show at Old Earth, Miyakonojō

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I woke up early, refreshed from what felt like the best shower ever, and ventured out in search of caffeine. A coffee vending machine quickly fulfilled my need. Walking along the streets, I noticed the sub-tropical vibe of this part of Japan. At 18 degrees Celsius, it felt pleasantly warm.
The main street outside the hotel had a “Miami Vice” atmosphere, lined with towering palm trees dividing the left and right lanes.
We didn’t have time to explore Miyazaki, as we needed to catch a train to Miyakonojō to meet Katsunari at Old Earth. He had kindly arranged a hotel for Shunichi and me for the next two days, with check-in set for 3 p.m. After some coffee and a brief walk, we arrived at the train station. The journey to Miyakonojō took about 60 minutes. The town is located in the Miyakonojō Basin, west-southwest of Miyazaki City and 90 kilometers east-northeast of Kagoshima City.
The train itself was a marvel—the most vintage I’ve ever seen. The wooden benches, padded with leather, exuded character and history. The ride was beautiful, offering views of mountains, rivers, green fields, and charming farmhouses.
We arrived at Miyakonojō station around 2 p.m. and walked to the hotel Katsunari had booked for us. Just two years old, the hotel was only minutes away from Old Earth. Being early, I relaxed with a beer in the serene inner garden, enjoying this new part of Japan, which reminded me slightly of Okinawa.
My friend Johan was also on his way to Miyakonojō after spending some time exploring Kagoshima. He would join me for the two days at Old Earth. Around 4 p.m., Shunichi and I walked to the venue to meet Katsunari and rehearse. For these shows, Katsunari invited bassist Tomowo Sakito. It was exciting to finally meet Katsunari in person after planning this tour together for so long. Following our time at Old Earth, Katsunari would join us for three more dates in Kurashiki, Kusatsu, and Osaka following after these 2 days.
Old Earth is a gem of a club, brimming with character. The building stands out with its colorful lighting, and the interior is warm and inviting, radiating a personal touch. When Tomowo arrived, we had a quick soundcheck and played through some tunes. Afterward, I returned to the hotel to change, as showtime was at 7:30 p.m.
At the hotel, I caught up with Johan, who had just arrived. Together, we walked back to Old Earth, where the crowd was already gathering. By 8 p.m., the first set began. It was a full house, and the atmosphere was electric. Katsunari’s drumming brought immense energy, and we instantly clicked as a group.
Between sets, I mingled with the audience. Many tried their best to speak English, and Johan, with his solid Japanese skills, stepped in as my unofficial translator. The night ended on a high note, with us pouring everything into our performance.
Waiting for us afterward was a steaming pot of shabu-shabu—a Japanese hotpot dish of thinly sliced meat, mushrooms, and vegetables cooked piece by piece at the table. It’s savory and less sweet than sukiyaki, another hotpot dish. Katsunari generously invited Johan to join us, making it a memorable meal.
As the night wound down, Johan and I walked back to the hotel. Once in my room, I realized I’d left a bag at the venue. The streets were silent and the sky clear as I made my way back. Old Earth was still open, though empty, and I retrieved my bag.
With plans to visit a waterfall with Johan the next day, I returned to the hotel and went straight to bed, ready for another day of discovery.